Copyright@ Beijing International Short Film Festival / 北京国际短片联展 / BISFF2019

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Diego Marcon

迭戈·马孔

Monelle

莫奈尔

围绕着沉睡的身体,幽灵在建筑中逡巡,静默地穿梭在空间之中:它们的行为目不可视,除了手电筒灯光中影影绰绰闪动的碎片。《莫奈尔》是一道回环,既无叙事也无层级,既无开端也无结局,陷于混乱和模糊的地带,截然不同的质料与手法——从35毫米胶片到CGI动画,为这部结构性的惊悚影片赋予了双重性格。

Around the sleeping bodies, some presences occupy the architecture and move around the space in obscure activities: nothing of their actions is visible to us, except in the fragments in which the image shows itself under the flashlight. Monelle is a circular film without any narrative or hierarchy, without a beginning or an end, and it circumscribes a place of promiscuity and ambiguity between the different formats used—35mm and CGI animation—and the approaches of two opposites film attitudes—the structural cinema and the horror genre.

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Diego Marcon

迭戈·马孔