Copyright@ Beijing International Short Film Festival / 北京国际短片联展 / BISFF2019

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Jorge Moneo Quintana

The Scars

伤疤

叔叔、父亲和儿子各自的私人故事形成了一条悲剧的时间线,这条线相当于家庭相册页面中的折痕,也相当于父系祖屋墙壁上的裂缝。它类似于电钻打入大山时产生的伤口,也类似于社会集体想象中的疤痕。在政治斗争中,“救赎”的念头只能以悲惨告终。这条线的末端是什么?古老的战争歌曲是否可以绕过这一命运?

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

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Jorge Moneo Quintana