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Pietro Francesco Pingitore

0:26:45

Italy

Italian

L'Ombra di Rasputin

拉斯普京的影子

2023
中国大陆首映 Chinese Mainland Premiere

A hunter, a veterinarian and a nurse conversing around a surgical table while performing surgery on a wild boar. Another wound is being stitched up, but this time it occurs in a liminal condition that manifests itself at the intersection between different visions of care. A wild life rescue and a hunter juxtapose in one ecology where nature is manufactured, harvested and exploited by human capital. In this frame the wild boar Rasputin is held captive in between imperatives of ecological human regulations; stolen from the woods as a piglet by curious hands and later taken care of by a local wild life rescue centre, now Rasputin is considered too beasty to join domestic environments and too affected by human contact to be released in the woods. Whereas the nature/culture divide is enacted, wilderness is the shadow of human architectures. This film is a sensorial exploration that looks at conservation behaviours as infrastructures shielding domestic spheres from wildlife in the plains surrounding Piacenza, one territory amongst the many heavily transformed by industrial agriculture. Soundscapes of these troubled lands are framed in conversations with humans, other-than-human actants and technologies of control.

猎人、兽医和护士围绕手术台交谈,同时给一头野猪做手术。又一个伤口被缝合,但这一次发生在一种边缘状态,处在不同护理观念的交汇处。野生动物的拯救和猎人在一个生态系统中并置,这个生态系统中自然被人力资本制造、收获和利用。在这个框架中,野猪拉斯普京被囚禁在观念的碰撞之处:它被好奇的手从森林中偷走时还是一只小猪仔,后来被当地的野生动物救援中心照顾;现在拉斯普京被认为太野蛮,不能加入家庭环境,而又因为与人类接触太多而无法在森林中重获自由。尽管自然/文化的分界线得以体现,荒野却是人类建筑的阴影。这部影片是对保护行为的感性探索,看待这些行为如何构建基础设施,使得在皮亚琴察周围的平原上的野生动植物远离人类的生活环境。这些动荡土地的声音景观被置于与人类、非人类行动者和控制技术的对话中。

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Pietro Francesco Pingitore

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