
Fırat Yücel
菲拉特·尤塞尔
菲拉特·尤塞尔(Fırat Yücel)是一位纪录片导演与剪辑师,现居阿姆斯特丹与伊斯坦布尔。他同时也是影像系列 “Altyazı Fasikül: Free Cinema” 的策展人之一——该系列隶属于 Altyazı 电影协会,致力于支持在土耳其及世界各地面临风险的政治电影与录像创作者。
他的创作聚焦于集体创作与对审查制度的抵抗,主要以影像论文、档案/拾得影像以及“桌面纪录片”的形式展开。代表作品包括《欢迎列宁》(Welcome Lenin, 2016)、《唯有大片长存》(Only Blockbusters Left Alive, 2016)、《被解放的观众:埃梅克影院的斗争》(Audience Emancipated: The Struggle for the Emek Movie Theater, 2016)、《正反面》(Head and Tails, 2018)以及《2020年3月8日:一段回忆》(March 8, 2020: A Memoir, 2023)。
他担任艺术总监的选集影片《看见/未见:自我审查选集》[Seen Unseen: An Anthology of (Auto)Censorship, 2024]于第54届鹿特丹国际电影节全球首映,并入选MoMA“纪录片双周展”以及哥本哈根国际纪录片电影节(CPH:DOX)。2023至2024年间,他以“电影中的自我审查研究”入选乌特勒支 BAK 机构的“情境实践研究员”项目。其最新短片《幸福》(happiness, 2025)于瑞士尼翁真实电影节(Visions du Réel)首映,作为其“桌面电影三部曲”之一。
Firat Yücel is a documentary director and editor who lives and works in Amsterdam and Istanbul. He is also one of the curators behind the video series of Altyazı Fasikül: Free Cinema (a platform of Altyazı Cinema Association) dedicated to supporting political film and video makers at risk in Turkey and elsewhere. His work centers around collective filmmaking and resistance against censorship; mainly using the forms and strategies of video-essay, archival/found footage, and desktop-documentary. Welcome Lenin (2016), Only Blockbusters Left Alive (2016), Audience Emancipated: The Struggle for the Emek Movie Theater (2016), Head and Tails (2018), and March 8, 2020: A Memoir (2023) are among his documentaries. The anthology film for which he served as artistic director, Seen Unseen: An Anthology of (Auto)Censorship (2024), premiered internationally at the 54th International Film Festival Rotterdam and was screened at MoMA Doc Fortnight, as well as CPH:DOX. He was a fellow at the BAK Utrecht’s Fellowship for Situated Practice: 2023-2024 with his research on self-censorship in cinema. His latest short, happiness (2025), premiered at Visions du Réel, is part of a trilogy on desktop cinema.






