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Epitaph

故土墓志

Cecilia Araneda

塞西莉亚·阿拉内达

2025
38:56
English, Spanish
Canada, Chile

《故土墓志》是对一次对地域与记忆的审视,追溯了板块构造运动对作者的故乡智利地貌的影响,以及持续不断的地震所引发的不同程度的破坏与重建的循环往复。

影片拍摄于智利和加拿大高原,后者是现代板块构造学说的核心研究地。影片糅合了通过生态处理的16毫米胶片、录像、公共和私人档案中的文件以及拾得影像,为作者逐渐远离的故土织就一篇悼文——这种疏离最初是流亡的结果,而后则归结为时间的流逝。

影片的生态处理工序在作者父亲位于智利基里韦乡村的祖宅所在地完成,使用了博尔多、无花果及其叶片、核桃叶、苹果及其叶片、秋葡萄及其叶片、橄榄及其叶片、李子、薄荷、庭院花卉和其他植被。

World Premiere 世界首映

Epitaph is an examination of site and memory. It follows the effects of plate tectonics on the landscape of Chile - the filmmaker’s birthplace - and the small and large cycles of destruction and rebuilding the ever-present earthquakes trigger.

Filmed both in Chile and on the Tablelands in Canada, a site central to the modern understanding of plate tectonics, Epitaph incorporates eco-processed 16 mm footage, video, documents from public and private archives, and found footage to weave an epitaph to a home in the process of leaving the filmmaker, first as a result of exile and then to the gradual movement of time.

Epitaph has been eco-processed on-site in rural Chile at the site of the filmmaker’s father’s family home in Quirihue, Chile, using boldo, figs, fig leaves, walnut leaves, apples, apple leaves, fall grapes, fall grape leaves, olives, olive leaves, plums, mint, yard flowers and other vegetation.

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Cecilia Araneda

塞西莉亚·阿拉内达

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