The train is moving forward without stopping. In a single timeline, forward-moving time encounters backward-moving time. Time and space break down between frames, finely dividing each second. While the window remains stationary, the world outside changes. This film does not aim to capture the landscape as a lifelike portrayal but strives to visualize the world more precisely through vibrations of shapes and colors. I edited the film by placing two different sources on one timeline through improvised typing. The first edit sets the rhythm, and the duration of the “typing performance” determines the film’s length. The film holds the potential to reach completion and to be infinitely created. I employed multi-camera editing, commonly used in broadcast studios, to create an unending movie. Aiming to blend the space between different moments and the space between spaces, I utilized DVO Fix, a tool used to restore films digitally. Drawing inspiration from these alternative techniques, I challenge the boundaries of filmmaking and incorporate the accompanying results into my creation.Inside the train from Wengen to Lauterbrunnen, the snow-covered landscape and the darkness of the tunnel, three windows offer serene yet ever-changing impressions.