Henrike Meyer
1:10:45
Germany
German, English
To Be an Extra
成为一个配角
2024
Asian Premiere 亚洲首映
A charismatic young woman’s intelligent film about making the leap from supporting roles in German TV dramas to play the leading role in her own life. A courageous piece of performative autofiction which invents its own rules as it unfolds.
Berlin is the setting for young filmmaker Henrike Meyer’s attempt to find a way into the film world. But "To Be an Extra" is not a self-absorbed career project disguised as a documentary. In a distinctly original move, Meyer instead puts herself at risk and disappears into the nameless supporting roles in adverts and German TV crime dramas she is offered. She is the policewoman in the background when the stars of a TV series solve a murder. And from her new perspective as an out-of-focus extra, she gains a new existential insight into the precarious life on the fringes of both the film industry and society.
"To Be an Extra" is a film that invents its own rules along the way and becomes a piece of performative autofiction that keeps unfolding. Cracks appear in the fabric of reality and something new takes shape in a meta-filmic self-portrait about finding yourself by becoming someone else.
一位充满魅力的年轻女性带来了一部聪慧的影片,讲述她从德国电视剧的配角跃升为自己人生主角的过程。这是一部勇敢的自我演绎的虚构作品,在展开的过程中逐步发掘自己的独特规则。
柏林这座城市是年轻导演亨里克·迈耶(Henrike Meyer)尝试进入电影世界的背景。然而,《成为一个配角》并非一部伪装成纪录片的自我追求之作。迈耶以一种别具一格的方式,置身险境,隐入那些广告和德国犯罪剧中的无名配角中。她成为背景中的女警察,当电视剧主角们解决谋杀案时,她站在焦点之外。从这种模糊的视角出发,她获得了一种新的存在性洞见,体察到电影工业和社会边缘生活的种种不安定性。
《成为一个配角》是一部在前行中创造自身规则的电影,逐渐形成一部表演性的自我虚构作品。现实的裂缝逐渐显现,一种新的东西在其中成形——这是一个在成为他人中找寻自我的元电影式自我画像。