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Cecilia Araneda

塞西莉亚·阿拉内达

智利裔加拿大电影人塞西莉亚·阿拉内达(Cecilia Araneda)的作品曾在鹿特丹国际电影节、瑞士尼翁真实电影节、安娜堡(Ann Arbor)电影节、伊赫拉瓦(Jihlava)纪录片电影节、乌普萨拉(Uppsala)短片电影节、蒙特利尔新电影节(Festival du Nouveau Cinéma)、加拿大影像节(Images Festival)、以及多伦多国际电影节的“波长”(Wavelengths)单元等多个国际影展和机构展映。在美学上,阿拉内达的艺术创作深植于对公共与私人记忆的探讨,并将其与身份认同相连,刻意抵抗“完全可控影像”的观念。她的作品也深受家族逃离智利军政府独裁时期经历的影响。阿拉内达以使用胶片进行创作而闻名,作品涵盖实验、纪录与虚构等多种形式。

Chilean-Canadian filmmaker Cecilia Araneda’s works have screened at festivals and venues such as Rotterdam, Visions du Reél, Ann Arbor, Jihlava, Uppsala, Festival du Nouveau Cinéma, Images and TIFF Wavelengths. Aesthetically, Araneda’s art practice is strongly rooted in the examination of private and public memory as it connects to identity, consciously working against the idea of the fully controlled image. Her family’s experience fleeing Chile’s military dictatorship also plays a large role in her body of work. Most well-known for her work in analogue film, Araneda works in experimental, documentary and fiction forms.

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