BISFF2025 | Jury Announcement 评审团阵容揭晓

The Beijing International Short Film Festival (BISFF) is pleased to announce the distinguished jury for its 2025 edition. The jurors, comprising filmmakers, scholars, and producers, will oversee three competition sections: International, Sinophone, and NOVA. Their diverse visions reflect the festival’s commitment to dialogue across cultures and cinematic forms.

北京国际短片联展（BISFF）正式公布2025年度评审阵容。「国际」「华语」与「NOVA」三大竞赛单元将由来自不同文化背景的导演、学者与制片人担任评审。他们的视角将为本届评选注入更多元的维度，并推动影展在影像形式与文化经验之间的深入对话。

International Competition Jury 国际竞赛评委

Sergei Loznitsa 谢尔盖·洛兹尼察

Sergei Loznitsa was born on September 5th, 1964. He grew up in Kyiv (Ukraine), and, in 1987, graduated from the Kyiv Polytechnic with a degree in Applied Mathematics. From 1987 to 1991, Sergei worked as a scientist at the Kyiv Institute of Cybernetics, specialising in artificial intelligence research. In 1997, Loznitsa graduated from the Russian State Institute of Cinematography (VGIK) in Moscow.

Sergei Loznitsa has been making films since 1996, and by now he has directed 28 award-winning documentaries and 4 fiction films. In 2000, Loznitsa left Russia and moved to Europe. In 2013, he founded a production company, ATOMS & VOID. Sergei is working both in documentary and fiction genres and is internationally recognised as one of the most prolific and influential auteurs of his generation. Loznitsa's films are regularly featured at major international festivals, such as Cannes, Venice, Toronto, Rotterdam, IDFA, and Visions du Réel.

谢尔盖·洛兹尼察生于1964年9月5日，在乌克兰基辅长大。1987年毕业于基辅理工学院，主修应用数学。1987年至1991年间，他在基辅控制论研究所担任科研人员，专攻人工智能研究。1997年，他毕业于莫斯科俄罗斯国立电影学院（VGIK）。自1996年以来，洛兹尼察一直从事电影创作，迄今已执导28部获奖纪录片及4部剧情片。2000年，他离开俄罗斯，移居欧洲。2013年，他创立了自己的制片公司 ATOMS & VOID。洛兹尼察活跃于纪录片与剧情片两个领域，被广泛认为是当代最具影响力与创作力的导演之一。他的作品经常入选全球主要国际电影节，包括戛纳、威尼斯、多伦多、鹿特丹、阿姆斯特丹国际纪录片电影节（IDFA）以及瑞士尼翁真实电影节（Visions du Réel）。

Tang Hongfeng 唐宏峰

Tang Hongfeng is a research professor and vice Dean of the School of Arts, Peking University. Her research interests focus on art theory, image-media theory, and Chinese visual culture at the turn of the 20th century. She is the author of Transparency: Chinese Visual Modernity (1872–1911) and two other books. In 2022, she curated the exhibition Photographic Moments: The Emergence of Photographic Visuality in China at Xie Zilong Photography Museum.

唐宏峰，北京大学艺术学院副院长、研究员、博士生导师，国家社科基金艺术学重大项目首席专家，入选教育部青年长江学者奖励计划。主要研究领域为艺术理论、图像—媒介理论与近代中国视觉文化研究。出版《透明：中国视觉现代性（1872–1911）》等多部著作。2022年，策划谢子龙影像艺术馆年度馆藏研究展“影像时刻：早期中国摄影视觉的发生”。

Photo by Denis Laner

Giuseppe Boccassini 朱塞佩·博卡西尼

Giuseppe Boccassini is a filmmaker based between Berlin and Italy. After graduating in Film Theory at DAMS, University of Bologna, and completing a diploma in Film Directing at NUCT Cinecittà in Rome, he developed a research-based practice focused on found footage, archival materials, and experimental cinema.

His recent works explore the historical and formal dimensions of film noir and melodrama — noir in Ragtag (2022) and melodrama in Desire (2025). Since 2017, he has been the director of FRACTO – Experimental Film Encounter, a Berlin-based festival dedicated to experimental cinema. His research extends to industrial cinema, explored in Blast Furnace (2024), where archival imagery emerges as an immediate presence — closer to living nature than to a technological device. He is currently developing Phantom Ride, a film-based project combining early Antarctic expedition footage with the aesthetics of early cinema.

His films have screened at Venice International Film Festival, FID Marseille, Ji.hlava IDFF, Jerusalem IFF, Torino Film Festival, IndieLisboa, Image Forum Tokyo, and the Museum of the Moving Image, New York, where Ragtag was presented in conversation with film theorist Tom Gunning. His work is distributed by Light Cone (Paris) and the Film-Makers’ Cooperative (New York).

朱塞佩·博卡西尼（Giuseppe Boccassini）是一位活跃于柏林与意大利之间的电影导演。他毕业于博洛尼亚大学（DAMS，艺术、音乐与表演学系）电影理论专业，并于罗马奇内奇塔电影学院（NUCT Cinecittà）获得导演文凭。他的创作以研究为基础，聚焦于拾得影像、档案素材与实验电影。博卡西尼近期的作品聚焦于黑色电影与通俗剧的历史与形式维度。2022年的《黑色电影与电影黑色》（Ragtag）探讨“黑色电影”，2025年的《欲望》（Desire）延伸“通俗剧”（melodrama）的影像语言。自2017年起，他担任柏林 FRACTO 实验电影节（FRACTO – Experimental Film Encounter）的艺术总监。他的研究亦延伸至工业电影领域，在《高炉》（Blast Furnace, 2024）中，档案影像以一种“即时的存在”出现，仿佛更接近有机生命，而非技术装置。他目前正开发基于胶片的项目《幻影之旅》（Phantom Ride），结合早期南极探险影像与早期电影的美学特征。其作品曾在多个国际影展及机构放映，包括威尼斯国际电影节、马赛国际电影节（FIDMarseille）、伊赫拉瓦（Ji.hlava）纪录片电影节、耶路撒冷国际电影节、都灵电影节、里斯本独立电影节（IndieLisboa）、东京映像论坛电影节（Image Forum）。《黑色电影与电影黑色》于纽约动态影像博物馆放映，并与电影理论家汤姆·冈宁（Tom Gunning）展开对谈。博卡西尼的作品由巴黎 Light Cone 与纽约 Film-Makers’ Cooperative 发行。

Sinophone Competition Jury 华语竞赛评委

Chris Berry 裴开瑞  

Chris Berry is Professor of Film Studies at King’s College London. In the 1980s, he worked for China Film Export and Import Corporation in Beijing. His academic research is grounded in work on audio-visual media of the Sinosphere.

Books written and/or edited include China on Screen: Cinema and the National; Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution; Chinese Independent Cinema: Past, Present, and a Questionable Future; Taiwanese-Language Cinema: Rediscovered and Reconsidered; Film and the Chinese Medical Humanities; Chinese Film Festivals: Sites of Translation; Routledge Handbook of East Asian Popular Culture; Public Space, Media Space; The New Chinese Documentary Film Movement: For the Public Record; and Electronic Elsewheres: Media, Technology, and Social Space. He has served on juries for numerous film festivals, including the Bangkok Film Festival, Singapore International Film Festival, Hawai’i International Film Festival, Busan International Film Festival, and the Golden Horse Awards (Taipei).

裴开瑞，伦敦国王学院电影研究系教授。上世纪八十年代，他曾供职于北京的中国电影输出输入公司。他的学术研究聚焦于华语文化圈的视听媒介领域。编著作品包括：《银幕上的中国：电影与民族》《中国独立电影：过去、现在与未卜的将来》《台语电影：再探与重思》《电影与中国的医学人文》《华语电影节：译域之所》《劳特里奇东亚大众文化手册》《公共空间，媒介空间》《中国新纪录片运动：为公众存档》《电子异域：媒介、技术与社会空间》。他曾担任多个国际电影节评委，包括曼谷电影节、新加坡国际电影节、夏威夷国际电影节、釜山国际电影节及台北金马奖。

Shen Ko-Shang 沈可尚

Shen Ko-Shang is a film and documentary director, and the former director of the Taipei Film Festival. His important works include the documentaries Baseball Boys, A Rolling Stone, Love Talk, and Master and Guest; and short feature films such as Layover, Juliet/Two Juliets, 10+10/Bus Odyssey, and Mia. He has recently completed the feature film Deep Quiet Room and the documentary feature Seven Ages of A Man.

His works have been selected for many international film festivals and competitions, including the Cannes Film Festival, Berlin International Film Festival, Visions du Réel, and Yamagata International Documentary Film Festival. He has received numerous major awards, including the First Prize at the Taiwan International Documentary Film Festival, the Taipei Film Awards Grand Prize, the Gold Medal at the New York Festivals TV & Film Awards, the Silver Award at the Shanghai TV Festival, multiple Golden Bell Awards, the Golden Horse Awards, and the First Prize at the Pingyao International Film Festival.

沈可尚，电影导演，前台北电影节总监。重要作品包含纪录片《野球孩子》《筑巢人》《幸福定格》《客人主人》；剧情短片《与山》《茱丽叶/两个茱丽叶》《10+10/到站停车》《世纪末的华丽》等。甫完成剧情长片《深度安静》，纪录长片《我在荒野做了一场梦》。作品多次入选国际影展及竞赛，包含法国戛纳电影节、德国柏林国际电影节、瑞士真实影展、日本山形国际纪录片影展；并获多项重要奖项，包括国际纪录片双年展台湾奖首奖、台北电影奖首奖、纽约电影节电视奖金奖、上海电视节银奖、电视金钟奖、金马奖及平遥国际电影展首奖。

Zhao Jia 赵佳

Zhao Jia is a Chinese-Dutch film producer based in Amsterdam. She founded MUYI FILM in 2012 and co-founded SILK ROAD FILM SALON with Afghan-Dutch director Aboozar Amini to tell stories from regions along the ancient Silk Road. She continues to executive-produce international projects in collaboration with Asian and Chinese entities, contributing to co-financing efforts and enhancing both authenticity and production value.

Her latest production, Kabul, Between Prayers (2025), has been selected for the Venice International Film Festival. Jia also produced Flower Chasers (Sheffield DocFest, 2023), A Marble Travelogue (IDFA, 2021), and co-produced I’m So Sorry (Cannes, 2021). As executive producer, she supported An Asian Ghost Story (CPH:DOX, 2023, New:Vision Award). From 2015 to 2019, five of her films were selected for the IDFA Competition, including Kabul, City in the Wind, which opened IDFA 2018 and won the First Appearance Jury Award. In 2025, Jia became a member of the Academy, in recognition of her contribution to authentic documentary storytelling through international collaborations.

赵佳是一位常驻阿姆斯特丹的华裔荷兰电影制片人。她于2012年创立木裔影业，并与阿富汗裔荷兰导演阿巴札尔·阿米尼（Aboozar Amini）共同创立 SILK ROAD FILM SALON，专注于挖掘古丝绸之路沿线地区的文化故事。她目前担任多个国际项目的监制，与亚洲及中国机构合作，推动合拍计划，提升影片的艺术真实性与制作水准。

由其最新制作的《喀布尔，零年》（2025）已入选威尼斯国际电影节。她还曾担任《逐花人》（谢菲尔德纪录片节，2023）、《石史诗》（阿姆斯特丹国际纪录片节，2021）的制片人，并参与联合制作《无去来处》（戛纳电影节，2021）。作为监制，她支持了《九龙东往事》（哥本哈根国际纪录片节，2023，荣获新视野奖）的制作。2015至2019年间，其制作的五部影片连续入选阿姆斯特丹国际纪录片节竞赛单元，其中2018年影展开幕片《喀布尔，风中之城》获得首作竞赛评审特别奖。2025年，赵佳成为美国电影艺术与科学学院（AMPAS）会员，以表彰她通过国际合作在纪实性影像叙事上的持续贡献。

NOVA Competition Jury 新星竞赛评委

Wang Jing 王婧 

Wang Jing is a Beijing-based independent film producer. Her credits include Wen Shipei's LAND OF BROKEN HEARTS (Busan 2024) and ARE YOU LONESOME TONIGHT? (Cannes 2021, San Sebastián 2021, Toronto 2021, Busan 2021); Han Shuai's GREEN NIGHT (Berlinale 2023, Busan 2023, Tokyo 2023); Johnny Ma's TO LIVE TO SING (Cannes 2019, Winner of Best Picture and Best Actress at Shanghai International Film Festival's Asian New Talent Awards) and OLD STONE (Berlinale 2016, Winner of Best Canadian First Feature Film at Toronto International Film Festival) and Pei-Ju Hsieh's HEAVY CRAVING (Busan 2019, FIPRESCI Prize at Golden Horse Awards).

In June 2025, Jing was invited to join the Academy of Motion Picture Arts and Sciences. She received her M.F.A. in Creative Producing from Columbia University.

王婧，制片人，复旦大学广播电视新闻学学士，美国哥伦比亚大学艺术创作硕士。她担任制片人的作品包括：电影《负负得正》，入围第29届釜山国际电影节；电影《绿夜》，入围第73届柏林国际电影节，第28届釜山国际电影节，第36届东京国际电影节；电影《热带往事》，入围第74届戛纳国际电影节、第69届圣塞巴斯蒂安国际电影节、第46届多伦多电影节及第26届釜山国际电影节；电影《活着唱着》，入围第72届戛纳国际电影节，获第22届上海国际电影节亚洲新人奖最佳影片；电影《大饿》入围第24届釜山国际电影节，获第56届金马奖国际影评人费比西奖；电影《老石》入围第66届柏林国际电影节，获第41届多伦多国际电影节最佳加拿大首作奖；2025年6月，她受邀加入美国电影艺术与科学学院。

 Qiu Sheng 仇晟

Qiu Sheng was born in Hangzhou, China. He earned a bachelor’s degree in biomedical engineering before becoming a filmmaker. His feature debut Suburban Birds (2018) has been selected in Locarno Film Festival, and more than 20 other international film festivals, such as São Paulo International Film Festival, BFI, CPH:PIX and New Directors/New Films Festival. His short film Double Helix (2021) won Best Short Film in Shanghai International Film Festival, Best International Short Film in Ghent Film Festival. His new feature MY FATHER'S SON has won Best Artistic Achievement award in Shanghai International Film Festival in 2025.

仇晟导演出生于中国杭州，毕业于清华大学生物医学工程系，后转入电影领域。首部长片《郊区的鸟》曾获得FIRST青年电影节最佳影片并入围洛迦诺国际电影节，纽约新导演/新电影，BFI伦敦国际电影节、圣保罗国际电影节等等。短片《生命之歌》曾获上海国际电影节最佳短片奖及根特电影节最佳国际短片奖。最新长片《比如父子》获得上海国际电影节金爵奖艺术贡献奖。

Sam Manacsa 萨姆·马纳克萨

Sam Manacsa has worked in production design for award-winning films including Carlo Francisco Manatad’s Whether the Weather Is Fine (Locarno, 2021) and Siyou Tan’s Amoeba (TIFF, 2025). Her short film Cross My Heart and Hope to Die (2023) had its world premiere at the Venice Film Festival in the Orizzonti section, while If People Such as We Cease to Exist (2016) was selected for the Clermont-Ferrand International Short Film Festival in the International Competition. She is an alumna of the SEAFIC Seed Lab (2022) and the TIFF Director’s Lab (2025).

Manacsa currently works as a production designer for various commercials and films.

萨姆·马纳克萨是一位导演和美术指导。她曾在多部获奖影片中担任美术指导，包括卡洛·弗朗西斯科·马纳塔德执导的《台风逃跑计划》（洛迦诺电影节，2021）和 陈思攸执导的《核》（多伦多电影节，2025）。她导演的短片作品《对天发誓》（2023）在威尼斯地平线单元完成世界首映，而她的上一部短片作品 《仪式开始》（2016）则入围了克莱蒙费朗短片电影节国际竞赛单元。她曾是东南亚电影制作人种子实验室和多伦多电影节导演实验室的成员。

马纳克萨目前担任多部商业广告和电影的制作设计。